Small Joys: That's Goodman. And Patterson (and penises)

Two things in The Righteous Gemstones that gave me joy this week.

The first, and Gemstones is not alone in this, is that major league comedy has learned that naked penises are funnier than toplessness. When I became fully enamored with boobs (mid-1980s), they were a mainstay of comedy. Everything from the Tex Avery-ish ogling in PG movies to the generous helpings of bare breasts in R-rated ones. The last decade has shifted this trend. Four episodes in, and penises have spent more time on-screen than boobs, and the episodes are much funnier for it.

Two is the incredible performances from Edi Patterson and John Goodman. There have been a few scenes I’ve found they’ve acted the hell out of even when they don’t have lines. There’s a scene, 20 minutes or so into Episode 3, where Walton Goggins is talking to a featured extra, and John Goodman (with one line) is completely engrossing. He is not stealing any focus, but is so present in the scene that it caught me off-guard.

Now John Goodman is a goddamn treasure and I’ve felt this for decades. Familiar with him from Roseanne, I saw him in The Big Easy (1988) and Barton Fink (1991) in my video-renting heyday and it blew my mind how he could be so good in such different roles.

Edi Patterson is new to me on-screen. She makes me giggle like crazy as Bean Dip on Comedy Bang Bang, and her and Tim Baltz (also a huge draw for me on CBB) are half the reason I’m watching Gemstones right now. I find myself waiting for her scenes, but noticed that she is always in character, always focused on the scene around her, but rarely stealing any scenes by going bigger, which she could kill with. I get the feeling that she’s going to eventually get some star turns, and I can’t wait.

A promotional picture from the Righteous Gemstones. Seated is John Goodman, standing behind him is Adam Devine, Danny McBride, and Edi Patterson

Sixteen Questions (and one directive) For My Kids

I had a birthday recently, and one of the things I planned was a leisurely lunch with my kids. We had about ninety minutes to sit together and eat a delicious meal.

I have spoiled myself my whole life in many different ways. My birthday weekend I decided that I would simply spend my time doing what I wanted and when it came to the time the kids spent with me, I would insist on some things I wanted to do. I picked the restaurant, and after some chit chat, I dug into what I had planned to talk about.

A few years ago there was a semi-viral NYT article with a series of questions they suggested two people could ask one another to fall in love. I started with that list and edited it down and reworded them somewhat to come up with questions to ask my kids to hopefully learn more about how they thought about things in their lives. I asked the questions in the order listed below.

My kids are seventeen and eighteen, but I wish I’d thought of this a few years ago, and I can see asking these again in a few years, and every few years after. It was a good exercise to force myself to shut up and listen, and as a consequence I managed to learn a little. They did ask a few of these for my answer in return.

I’d encourage you to try this for yourself.

  • Given the choice of anyone in the world, whom would you want as a dinner guest?

  • Would you like to be famous? In what way?

  • Before making a telephone call, do you ever rehearse what you are going to say?

  • What would constitute a "perfect" day for you?

  • For what in your life do you feel most grateful?

  • If you could change anything about the way you were raised, what would it be? [My kids took the fifth.]

  • If you could wake up tomorrow having gained any one quality or ability, what would it be?

  • Everything you own is in a house that catches fire. After saving your loved ones and pets, you have time to safely make a final dash to save any one item. What would it be?

  • If a crystal ball could tell you the truth about yourself or anything else, what would you want to know?

  • What is the greatest accomplishment of your life?

  • What do you value most in a friendship? [I think I accidentally skipped this one.]

  • What is your most treasured memory?

  • What is your most terrible memory?

  • When did you last cry in front of another person? By yourself?

  • Is there anything too serious to be joked about?

  • If you were to die this evening with no opportunity to communicate with anyone, what would you most regret not having told someone? [My kids really didn’t like the questions that involved dying. I think this has to do with the natural assumption of immortality that teenagers possess.]

  • Alternate sharing something you consider to be a positive characteristic of your sibling. Share three each.

A Message To My Children

Authors Note: I am reposting this in March 2024, with additional post-scripts below.

A Message To My Children About D — T —

I am a what you might call a moderate liberal in an area of the country that is anything but moderate. If the nomenclature “all and neither party” existed I would choose that. There are liberals and there are conservatives, and rarely the twain shall meet.

I frequently hear from my children (4th and 5th grade) some opinions on the world as filtered to them through friends. I also make sure to make some of my more critical opinions are present in the conversation. One that they have heard a few times is: Speak up for those who can’t speak up for themselves. So here I want to speak up on behalf of all the children in the country who can’t yet communicate the idea that our country has considered a disreputable human being worthy of our election to President.

I have kept silent on political conversation, as was the tradition in my family when I was young. To this day, I have no idea how three of my grandparents would have voted. The current election results encouraged one of those grandparents make clear their distaste for the elected, but I’m still not sure a consistent line can be drawn. I can make assumptions based on their world views, but no firm conclusions, even though I spent a lot of time growing up with them. My mother is a clear liberal Democrat and my father claims to be an anarchist, so it’s hard to know his voting habit, if any.

This election, however, has caused me to speak up about the candidates. Any view of their politics aside, I decided that I needed to make clear to my kids what a scumbag D — T — is. I told them that I will vote for Hillary Clinton, explaining that the main reason is that he is clearly a terrible choice for president. I also look forward to being able to say to my grandchildren someday that I cast a vote for the first woman president in U.S. History.

I explained to my kids that D — T — is a person who speaks with anger and caprice, and that his approach should not be encouraged in any way. I reminded them that in most cases, anger is the front for some other emotion, commonly fear. I explained that he is using the language of anger to strike fear into the minds of voters who question whether women or minorities are qualified to lead or live in our country. He speaks to those of us Americans (I will not be moving to Canada or anywhere else if Trump is miraculously elected) who fear that as we get older we do not understand our newest citizens, the youth and the immigrants who continue to be the future of the country.

I explained that every single time I have come in contact, through the media, with T — , not just in the last terrifying months, but in the last 30 years, he has appeared to be vain and narcissistic, deceitful and dishonest, hateful and dismissive, greedy, ruthless and heartless. He seemed like a harmless douchebag in 1985 on Lifestyles of the Rich and Famous. Today he seems like a dangerous douchebag. Today he shows no regret of treating everyone — women or men, immigrants or citizens, smart or dumb, enemies or friends(!) — like pieces of meat put here for his gratification and elevation.

I explained to them that this language of anger most likely covers T — ’s great fear, and encouraged them to hit him where it hurts. His greatest fear is being ignored. For that reason, I don’t even want to use his name in this brief missive, I don’t want that name appearing in the world even just one more time because of me. Even just to explain to my kids that he is a dirty, dangerous, douchebag who doesn’t deserve a moment of our attention.

February 2017 Edit*/Update

My definition of 45’s election as miraculous (see above) was short-sighted. In early November I made the comment: “The good news and bad news is that our country always gets exactly the president it deserves,” and by extension, that I deserve as an American. I could ramble worthlessly about 45 and the damage he is doing to our country, but that’s not productive. I choose to learn from this experience and take away the good I can from it. Another thing I learned from my mom and taught my daughters is that there is good and bad in everything and everyone, and I believe this about every president and their presidencies, including the current leader.

*I made a few updates in a few lines above, but I remain proud of the message I sent in the original version so most of it remains intact, if a little outdated.

2024 update:

This was originally posted in October 2016, (with edits noted in 2017 at the bottom) when conventional thought was that Donald Trump didn’t have a shot at getting elected. The only significant change in my voting habits is that I am much less moderate, thanks to the moderates moving further right and my continued age adding to my slide toward progressive thought. Left might even be too far right for me these days. I will likely never again for president at all. I will focus on local elections. I am tired of choosing the least worst option. I do stand by my social media post from November 2016. The only changes this time were editing for clarity.

America's One Party System

The common rhetoric is that the two major parties are too divided. Democrats are left and Republicans are right. Republicans are conservative and Democrats are liberal. The truth is moderates are all over the place.

Optimists are viewed by pessimists as naifs. Pessimists are viewed by optimists as angry depressives. I view moderates as optimistic pessimists on a good day and pessimistic optomists on a bad day. Weak beliefs, weakly held.

My political ideology has always been built on the one concept that I build my entire intellectual life around. There is no truth. There is experience, and evidence, and faith, and everything else that people use to build their own truth. (I recognize that it must be untrue that there is no truth. If there is an objective truth, the statement itself would be a fallacy.) This leaves me with strong beliefs, weakly held.

Here’s my conclusion (currently) about politics in our country, and it’s not remotely original either: There is only one party, the Capitalist Party.

Broadly, conservatives believe in capitalism as defined by freedoms for businesses and individuals; liberals believe in capitalism as defined by equal opportunities for all people; progressives believe in capitalism as defined by the shared opportunities for all people; libertarians believe in capitalism as defined by survival of the fittest; the green party believe in capitalism as defined by the method by which we will pay for peaceful coexistence.

“Democracy is the worst form of Government except for all those other forms that have been tried.” — Anon, via Winston Churchill.

They all believe in capitalism, and our country is and has always been designed to support that system. The beauty of it is that it doesn’t matter what party you choose, you are still casting your vote for capitalism. The invasion of money into politics didn’t happen in the last fifty years with lobbyists and PACs. It has always been here, from before the Continental Congress. Every American that chose this country was seeking their own share of money.

It is a sad reality, of course, that so many Americans of the last three hundred years didn’t choose it at all. They were brought, or sent to America. Those of us that are born here are just indoctrinated into the system. Even today, with the uproar about immigration from both sides, the conversation is routinely turned to the effects immigrants have on capitalism.

All the parties want government involvement in the areas that they like. Even libertarians believe in a government bureaucracy, they would just like it to be much smaller than it already is. And they, more than any party, love capitalism.

I love America and I love democracy. I am very happy living in my bubble of self-delusion, so I offer no solution to this political challenge that faces America. In fact, I’m not convinced America will solve it. It is probably already being solved in a country so rich that they no longer need capitalism and can bleed their national income from the capitalist giants that love international trade. Or it will be solved in a future that actually learns from its history and adjusts the American experiment to work around capitalism as we know it.

Photo of polling station doors by Elliott Stallion on Unsplash

Artistic Instinct and Artificial Intelligence

I recently posted a PDF to the store for this five thousand word essay I’ve written over the last six months. It came out as I spent more time reading and thinking about Chat GPT and Midjourney and other such image- and word- generating computing models. I included Artificial Intelligence in the title because that’s the term getting all the press.

I’d be grateful if you read the thing. I put a price on it, but if you want to read it and would benefit from a free copy, send me an email and I’ll send you a copy. I printed a hundred copies, mostly so I could put some out in the real world at a few stores that might be willing to waste a little shelf space on it, and a printed copy is included in the price of the PDF if you want one.

Here are a few sentences from the essay, purposely out of order and free from context:

I think Chat AI could actually be an interesting step in the workflow for fiction writers. Let it kick out a bad idea and begin to iterate.

The reality is that humans aren’t that precise either; we mentally cover gaps in grammar and syntax when communicating.

[F]orty years ago a meme was an idea or a static image (What, me worry?) but today is used to refer to an image, or chart, or even a video.

I am trying to reckon with AI art in its most hopeful expression, knowing that it will continue to improve.

Is this the end for artists and craftspeople?[…]I don’t see it.

If that interests you, either get some help, or click on the Shop page.

A Walk Through Hell by Ennis and Sudzuka

A Walk Through Hell 1-5 by Garth Ennis and Goran Sudžuka

Originally published online in January 2019

Panels from A Walk Through Hell #1

One thing I appreciate about Garth Ennis is that he tends to swing for the fences, which, of course, usually results exclusively in home runs or strikeouts. I’ve read Preacher all the way through a few times, and that series exemplifies this approach. There are Wows! (“Until the End of the World” or “Saint of Killers”) and Ughs! (“Dixie Fried” or “The Legend of You Know Who”), but rarely a meh. A Walk Through Hell is a mystery, and I mean that as more than genre. After rereading and digesting everything that happens, I trust that Ennis has a vision for where the series is going and a knowledge of how he’ll get there, but patience is required to see if he can pull it off.

Monsters are not my favorite thing. I have never been particularly interested in horror stories, mostly because they had to have monsters. Growing up in the ‘80s, it was normal for kids to love slasher films, while I always thought them silly, their jump scares creating laughter rather than fear. Like many voracious teenaged readers, I dug into Stephen King; most of his books disappointed me when the supernatural aspects arrived. A fellow movie lover once accidentally persuaded me not to bother with The Exorcist by telling me why it scared him so much—it was too believable for him. This is not to say that a movie, or a comic, can’t unsettle me. Joshua Hall Simmons and Al Columbia have both unnerved me greatly, sometimes with a single image, and Karyn Kusama, Lynne Ramsey, and Michael Haneke have all satisfyingly upset me.

A Walk Through Hell is a color comics series by Garth Ennis and Goran Sudžuka that appears to be a horror story. “Appears to be” because it appears to be other things as well. It performs as a detective story, a serial killer story, a dialectic, offers a little shock and gore, and is somewhat of an “odd couple” story. It is also is likely an investigation of faith’s role in navigating the world. Ennis has examined faith in many of his titles, not just in Preacher and Hellblazer, where he made his name, but in other series as well. This is a man who loves God, at least as a character. In fact, unless you only read Marvel Comics, where you may conclude Ennis is an author focused on war stories, it is difficult to avoid religion in his books. Even in his superhero-parody opus The Boys he punishes Starlight, a Christian character, with repeated humiliations.

My lack of interest in monsters meant that I missed some clear signs in the first issue that there were supernatural forces at play. The Hell of the title is not just metaphor, as I first hoped. When I bought the first issue, I scanned it quickly to make sure there were no literal devils. Early in the first issue, our narrator refers to “ghosts” and the story appears to be heading toward the undead having some kind of agency. At the beginning of issue two, our leads, Shaw and McGregor, black out and wake up to find that they have no pulse.

For the mystery, Ennis focuses primarily on hints and delayed gratification. In the first issue, Shaw is having a nightmare with unknown origin. We don’t learn specifically what she may be dreaming about until issue five. The monster in this series isn’t introduced by appearance until the last page of issue three, and by the end of issue five, “the first arc,” it still isn’t entirely known what this monster is about or interested in or capable of. This does mean, however, that Ennis is wisely using our imaginations to fill in the gaps, a technique known to all masters of psychological horror.

Ennis partners with Goran Sudžuka, a Croatian artist who established himself on the U.S. comics scene as a fill-in for Pia Guerra on Y The Last Man. The artwork is steady and sturdy, with few structural mistakes, but also few standout flourishes. Stylistically, Sudžuka reminds me of his Croatian cohort, such as Goran Parlov and Edvin Biuković. All these artists produce workmanlike draftsmanship on efficient layouts. The downside is that many characters look similar and emotional surprises in the script are rarely amplified by visual surprises. I’m not familiar with Sudžuka’s Croatian work, so I wonder how much influence his years spent at DC, where building on José Luis Garcia-López’s house style can produce this sameness.

I don’t want to discount how valuable I find the consistency of structure here, as I frequently fall out of stories when the anatomy, or perspective, or readability is weak. I’ll take the dependability of Garcia-López’s structure over any number of comics artists who push the bounds of in-context believability with their belief that they can avoid realism like Kirby while still maintaining full readability.

There is another likely culprit for this lack of flourish, and that is Ennis’s scripts. Issue one of this series has a script-to-page feature that shows how much information Ennis conveys. It may also be that this is a style of artist that Ennis appreciates. Steve Dillon and Darick Robertson are his lengthiest collaborators, and they share a focus on structure over style.

Panel from A Walk Through Hell #5

While discussing the art team, let me take a moment to point out the supportive sturdiness of Ive Svorcina’s colors. He and Sudžuka had worked together once before, on a Wonder Woman story, and they are both Croatian. I don’t know if these are coincidences, or if they lead them to work well together. To my eye, even respected colorists these days are too heavy handed, adding lens flares and bokeh that are completely unnecessary to the storytelling. Coloring is an area where I want temperature and context, and no further distractions, and Svorcina handles this well.

Letterer Rob Steen is similarly without flourish, due in no small part to a hallmark of Ennis’s scripts: there are no sound effects present—ever. This is a highlight of Ennis’s scripting, as the WHAMs and KABOOMs are almost always one of my least favorite things about comics, regardless of context. They haven’t even worked as parody since 1966.

As far as whether the series will end up as a home run or a strikeout, unfortunately it’s too soon to tell. There is just not enough closure to leave anyone satisfied with the story. I’m torn as to whether that’s successful or not. On the one hand, I want to know what happens next. On the other, I’m a little frustrated that no one told me what I was signing up for. I eventually become exhausted by all ongoing series that don’t know when to quit, but that is rarely a mistake that Ennis makes. He knows when a story needs to have an ending—such as Preacher or The Boys, or even his run on Hellblazer. When I pick up a novel, I don’t expect a cliffhanger, and if it does, I better have some semblance of closure in the meantime.

Our slugger, Ennis, has a good team of journeymen behind him, I hope he knows when to swing.